The workers in the
factory produced fabrics and dyes for fabrics, he said. The high steel
perimeter gates were rusted brown by the sea air that fills every breath within
a half mile of the shore at Belfast Lough. From the outside it looked like a
place that made men of its workers. The incessant grey steel and the
brick-built buildings fell and landed jaggedly as far off the Belfast Road as
they did along it. The buildings beyond those gates were different colours,
heights, and lengths, as if built in a hurry by brickies with some inkling of a
plan, perhaps several. Two figure-of-eight chimneys threw a curve in the severe
grey lines, and they spewed dirt into the salty air as grizzly men worked to a
sweat to produce one part of something. Someone would add something else to
that part of something; dip it, maybe, into some chemical or cleanser; send it
on to someone else who would treat it or cut it down to the size of something
else, something that those who worked on it would probably never recognise, and
could probably never afford.
The factory was vast and
dirty, and those who worked there militant and unforgiving, as my father discovered that day he crossed the picket line to get into work during the
Ulster Workers’ Council strike. The Council called the strike to protest the
recently signed Sunningdale Agreement, an arrangement between the British and
the Irish governments that allowed the government in the south some small say
in the running of the six very troubled British-controlled counties in the
north. The majority Protestant population saw it as a first step toward losing
the sovereignty of Northern Ireland, a minor sharing of power that could never
be too minor.
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